Mélangelique

Thnx Godness,I've found some instants for writin' a post about my idol's collection. As always brilliant nd exquisite. Lady and Gentelmen I'm thrilled to anounce that I'm gonna represent u some John Galliano stuff! ...- that sounded as if  I WAS this one who firstly had unveiled it to any others. haah.

So ut to the the end of this severe winter , Fashion houses were majestically presenting us the results of their painskill workin on Spring/Summer collections. Through it they're not only showing us what the trends will be like, or  what details that's really worth to team ur spring or summer look with; but also they're sharing with us a part of their inspiration, letting us feel the vibes the got through while creating.
 So the first place сoncerning my fiery admirations falls to Dior.

As far as I can know, for creating this Haute Couture collection, John Galliano was drawing his inspiration in some of the works of universaly recognized illustrator of 20th century René Gruau. Gruau, whose arts just overthrew the world of Haute Couture. His creation was based on some kind of paintin the imagery of already existing designs. Each work is flawless by itself, but there r some that reaaly enchanted me.

 Gruau,in its turn, was also working on Dior and any other Fashion houses. He was making advertising posters to orders of such designers as Pierre Balmain, Christian Dior, Jacques Fath, Balenciaga and etc.

 

So lets get back to the Spring/Summer 2011 collection, which one is soaked with René Gruau's, so called, signature, his brilliant artistry and some art devices.

We can see it in gradual shade-transition. Like from powder-blue to biege.

from magenta to black.

Galliano also teamed his collection with some belted, peplum-jackets of the same colour-shade-transitions, that served the collection with femme-fatale-effect.

And just because of the fact of my addiction to feathers, I cannot help but mention this fabulously stylish bubble-gown , fluttering with an exciting array of ostrich feathers. If only u could envisage, how stoked mah sanity is on things like that.

Also that's worth to notice one more feathers-marvelette. With various shades of blue. From light-blue to navy-blue.

Personally I find it ultimately exquisite, extremelly edgy and DAMN Haute Couture.)

What's pertinent to long ballgowns with multi-tiered crinolines, here I can pretty much say that as always artistry of execution of designs were perfect. All the details are ideally matching and spilling over into one floating and harmonic "creature".

 Tulle covers, silver embroidery especially produce this eye-catching and mesmerizing effect. That arises some wild desire to pat at it(!!) , or although to touch carefully, to discern all the elements and patterns, to ger imbued with its sophistication and diaphanous feeling and to TAKE IT ON eventually. Oh Lord, irrestiblence is always so pretty alluring, that I get hooked on it and unleash imagination, induldging myself into sky-high dreaming.

You see, I've already forgotten myself during mah dwellings. hah.

So nd as a top-off of my post - I wanna draw ur attention, that  themodls on the show were emulating Gruau's signature of gloved hands. Ones were incased in short ones, the others - in opera-lengh.Kingly chic!