A dollop of esthetics

This time i wanna delineate some parts of Sonya Merveladova apparel. These extremely exquisite and so-so feminine attires r making my consciousness smitten with its flawless forms, immaculately executed stiches, laid-back shades, racy elements,pseudo-low-key-and-modest designs and uniqueness of each garment. I like the way the separates can be incorporated. I like way Sonya treats fabrics, mixes em, throws in a special attention and touch to creating each of them. That kinda can be compared wid love-making. And as a result we can see versatile interpretation of this love-making, so to say, these amazingly elegant gowns and so forth.

 

These looks send me into dire need in smth ultimately beautiful, boundary diaphanous and sweet sweet. Oh yea, Sonya is a real magician)))

 I also like the way work at tailor's been represented. In its bestest colours and splendour. And whilst the clothes r being made wid great love and tenderness, that serve the wearer wid a chic finishing touch, we can say that Sonya Marmeladova's apparel is for sophisticated, intelligent and twee ladies. So to say, for us, gals!)

Take on love and deligghtfulness and be be stainless. Approach Sonya. She knows all the secrets of being like this ;)

miss Unconventionality Grace du Rrez

 While surfing internet I, as always, stumbled across amarvellous "place" with marvellous things. This will be going about Grace du Prez,or , if to be more exact, about her designs.
As a preamble, I want to say some words concerning her technique and stuff. Phylosophy of Grace du Prez's design is about ideas of self-expression not only through you're wearing, but also through the environment you're in. In her creation work she's nicely integrating fabrics,teaming it with spellbinding experimental embellishment in order to conjure it in contemporary Art. And that's really worth to be reffered to as an "Object of Contemporary Art".
 Grace du Prez is specializing not only in creating wearable things but also in creating interior objects. She tends to combine animal skins, hair, varied fabrics, fur, plastic and just an exciting array of materials at the same time. And, eventually, we see a masterpiece with an especial sense and  eye-cathing conceptual elements. Well, here it is!

 

 I have especial tender feelings for this shadow-dyed in shades from blue to black fringe.

 

These fur and feathers oundaries are downright eccentic and daring. And the perceptions while sliding ur hands through it seem to be of ultimate pleasure))

I got a sudden rush of rapture when spotted this oversized hairy accessories. They look extremely imposing and not as just an atribute, but as an enjoying its full rights garment. That's not about smth twee or fabulous, but about this that will spice up ur look and will add an extravagant individual chic. This is starting to have another context when u remove it. And as a separate and independant thing that starts to go for an absurdy and a tad horrifying look. 

Also there was a cooperation with Guts for Garters. And as a result of it we can see these absolutely gorgeous, intricate, with the taste of rich royal blood gowns,marked as The Royal We.

 

 

 The colours of the union jack compiles each of them. And this fabric patterns and scrapbooking technique achieve an inriguing edge that u get suddenly overflown with a desire to try it on. A brilliant  and painstaking artistry with an unerring accuracy.

 

Relaxing Céline

At times, when my eyes r tired of rippling looks of Haute Couture wid this exciting erray of intricate detales, thta I can discern for a long time, I let em rest and get down to Céline designs.

 

I like the way its laid-back shades, simple forms, tender transitions and posh fabrics r spillin over into something absolutely gorgeous of prete-a-porte type. 

        As we know Célineis is specialised in making apparel for prospective and fabulous women and not each of us can afford having of Célinein ur wardrobe, but nevertheless, I guess, that its looks r mighty inspiring on building-up ur own look wid quite the same details, accesories and stuff that could be perfectly matched even with the help of more democratic brands)

 

I also like Céline fr absence of jagged edges, sharp forms, exxagerated looks and for possibility to take this or that separates quite in every case. Either it's a cinema, or restaurant, or office, or just going-out.

   Just in order to be not only good-lookin, edgy and chic but also self-confident - I strongly advice to replicate the looks,represented by Celine and to reflect it in ue own look.

Good luck-Good look!=*

Thnx Godness,I've found some instants for writin' a post about my idol's collection. As always brilliant nd exquisite. Lady and Gentelmen I'm thrilled to anounce that I'm gonna represent u some John Galliano stuff! ...- that sounded as if  I WAS this one who firstly had unveiled it to any others. haah.

So ut to the the end of this severe winter , Fashion houses were majestically presenting us the results of their painskill workin on Spring/Summer collections. Through it they're not only showing us what the trends will be like, or  what details that's really worth to team ur spring or summer look with; but also they're sharing with us a part of their inspiration, letting us feel the vibes the got through while creating.
 So the first place сoncerning my fiery admirations falls to Dior.

As far as I can know, for creating this Haute Couture collection, John Galliano was drawing his inspiration in some of the works of universaly recognized illustrator of 20th century René Gruau. Gruau, whose arts just overthrew the world of Haute Couture. His creation was based on some kind of paintin the imagery of already existing designs. Each work is flawless by itself, but there r some that reaaly enchanted me.

 Gruau,in its turn, was also working on Dior and any other Fashion houses. He was making advertising posters to orders of such designers as Pierre Balmain, Christian Dior, Jacques Fath, Balenciaga and etc.

 

So lets get back to the Spring/Summer 2011 collection, which one is soaked with René Gruau's, so called, signature, his brilliant artistry and some art devices.

We can see it in gradual shade-transition. Like from powder-blue to biege.

from magenta to black.

Galliano also teamed his collection with some belted, peplum-jackets of the same colour-shade-transitions, that served the collection with femme-fatale-effect.

And just because of the fact of my addiction to feathers, I cannot help but mention this fabulously stylish bubble-gown , fluttering with an exciting array of ostrich feathers. If only u could envisage, how stoked mah sanity is on things like that.

Also that's worth to notice one more feathers-marvelette. With various shades of blue. From light-blue to navy-blue.

Personally I find it ultimately exquisite, extremelly edgy and DAMN Haute Couture.)

What's pertinent to long ballgowns with multi-tiered crinolines, here I can pretty much say that as always artistry of execution of designs were perfect. All the details are ideally matching and spilling over into one floating and harmonic "creature".

 Tulle covers, silver embroidery especially produce this eye-catching and mesmerizing effect. That arises some wild desire to pat at it(!!) , or although to touch carefully, to discern all the elements and patterns, to ger imbued with its sophistication and diaphanous feeling and to TAKE IT ON eventually. Oh Lord, irrestiblence is always so pretty alluring, that I get hooked on it and unleash imagination, induldging myself into sky-high dreaming.

You see, I've already forgotten myself during mah dwellings. hah.

So nd as a top-off of my post - I wanna draw ur attention, that  themodls on the show were emulating Gruau's signature of gloved hands. Ones were incased in short ones, the others - in opera-lengh.Kingly chic!